The Minor Scales Learn how to construct the three different types of minor scales. Scale Degrees Learn about root motion and circular chord progressions. One chord you might want to try experimenting with is to change the ii-chord by making it major. This means changing the F in the D minor chord (d-f-a) to F# (d-f#-a). That one alteration makes a rather noticeable change in the sound of your progression. Listen to the following progression which uses a standard minor ii-chord, and then compare Step 9: This works well because of the Ab major chord’s proximity to the other chords in the progression. If we compare the Ab chord to the diatonic chords, we see that it contains the tonic C (shared with C and F) and also Ab, only one semitone away from the A natural in the F triad. We’re also close to the dominant G chord, though there Fig. 2 is probably the simplest and most common use of the harmonic minor scale you will hear. But here’s the trick: It’s not only the melody that is fueling the harmonic minor sound, but the chord progression as well. You see, the only difference between the harmonic minor scale and the natural minor—or Aeolian—is the seventh note. These chords stand out more in a progression than diatonic chords do, because they include notes not in the scale of the song’s key, and can be used to great effect. Here are a few examples that involve substituting major chords for the ii, iii, and vi—the diatonic minor chords in a major key. The major II. First, compare these two The I - IV - V chord progression is one of the most common chord progressions in music. The I is the root note of the chord, followed by the 4th and 5th scale degrees of the scale. For example, if we’re working on a C scale, that means the I chord is the C major chord. This means F is the IV and the G is the V . 8pJYmbe.

minor scale chord progressions